For the Japanese grindcore is a genre that allows them limitless possibilites to express themselves on 2 fields the same time. The first is maximalism based on detailed studies of the exact musical style (it's correct nearly about everything they're starting), and the second is their exageratedly sick tendencies.
The same happened in this case, and it's a plus interesting thing that Flagitious Idiosyncrasy in the Dilapidation is a female grindcore band, that counts quite extraordinary. Even though their wider show up had good timing because of the new wave of grindcore, their music was closer to the old school style of genre, that also sympathized with death metal on the side of simple, punk influenced themes. Therefore their music doesn't lack heaviness, and even if the switchings from simpler, mid speed themes to grinding cannot create real contrast from this level, they're still taking an important role in making the main view diverse. Similar to newer bands, vocal switchings from deep growling to high toned screamings are common. The intensity of the album seems constant because all sides of their mentioned musical toolbar are represented in every song, it doesn't matter how short are they. Longer term listening might cause irretrievable brain damage. Excellent entertainment for grindcore fans!
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