First because their strongly Immolation influenced sound was kind of new to find in South America. Second: to play in that style and to be able to keep up the complex themes and to accord them together as it's demanded, definitely needs skilled musicians. And the experience comes with time, so even by not knowing much about the members background, it seems clear that they didn't start to play just a few years before the band was formed. That might lead back to the first point, because in this case musicians of the South American scene with notable past instead of playing something traditional, ended up with a massive, brutality oriented style. Their blasphemous lyrical concept also follows the Immolation influence, but of course in a simpler way of formulation. The album matches the expectations if the listener hungers for raw heaviness, as it's an ongoung feature during whole lenght. Only 2 short atmospheric intros are breaking the seemed like endless devastation. For this style less noise oriented, better sound quality is the most advantageous, and the band also knew that well, so on it's field "Perdition's Den" counts as a great, all-round well composed album. Strongly recommended for the fans of heavy blasphemous brutality.
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