Compared to the classics of funeral doom, the American direction of the style includes more death/doom influences, and therefore heaviness became it's important feature. This wasn't different in the case of Catacombs either, a one man project that gave a new dark shade to the style.
But there are other differences too. While the gloom of nature, passing away and some cosmic anxiety were in the main focus at the creators of the genre, horror often replaced them in the followings. The one and only album of Catacombs was inspired by the novels of Lovecraft. Normally intense music fits more to topics like horror and gore, but this is a far different aspect. The slumbering terror gets introduced, the inevitable doom that one day will be released to the world to fulfill it's destiny. The seems like eternally idle status of the greatest threat is well illustrated by the extended song lenghts and minimal musical activities. There is something sinister in the simple soft melodies that are following the slow, heavily rolling darkness, that will consume everything one day. Excellent sound quality helps the listener to merge into the depths of R'lyeh to see what the future of this fictional world holds.
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