
Vocally, the first time you hear Satyr, you envision his world of impeding darkness. While his range is limited throughout the entire album, it still fits in well with the albums delivery. He gets the point across, you know. But if you want to be super critical, you could say the same thing about the songs as well. Their range is not pushing limits by any means. It's certainly no Nemesis Devina. This is one of those memorable albums because of the fact that the entire album might sound like one song. There are a couple of real bangers, like "Black Crow On A Tombstone", or "The Age of Nero" that stand out more than the rest with a bit more upbeat/thrashy tone and blast beats. All in all, this would probably be more described as what's known as a "black n' roll" album.
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